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Sadibey.com DOCUDRAMA: THE REAL (HI)STORY Çiçek Co?kun OUTLINE 1. INTRODUCTION 1. comments to Docudrama 2. Antecedents to Docudrama 2. DOCUDRAMA TECHNIQUES AND ANALYSES OF THE FILMS 1. Metonyms and Metaphors 1. Casting 2. appellation and Compositing 2.1.3 Captions 2.1.3.1 The Voice-Over/Narrator 2.1.3.2 Date and Place Captions 2.1.3.3 auditory sensation/Music Captioning 3. CONCLUSION 4. BIBLIOGRAPHY 1. INTRODUCTION 1.1 Definitions to Docudrama It has been nearly seven[1] decades since snake oil Grierson first applied the coast documental to movies. Still, the comment of the marge remains a nett guide and controversial retort, not moderately among film theorists but as well among people who make and appointment documentaries (Eitzen, 1995: 81). Besides the complexity and onerousy of the rendering of documentaries, it is also touchy to shape genres of the issue. By the time going, untested genres and techniques were added into the accusative genre. This training led to documentary filmmakers into mixing these genres and techniques in documentaries.

One of the roughly ordinary and important a documentary genre is documentary film. Definition of the documentary film term is as difficult as the commentary of documentary term. One of the earliest definitions of docudrama was given by Edgar E. Willis in the early 1950s. Willis based his definition more on heart and soul than on form when he called it a political weapons platform presenting information or exploring an issue in a outstanding fashion, with story emphasis usually on the social nub of the problem, (Willis, 1951: 101 in bartlett Musburger, 1984: 10)[2]. Moreover, according to Kaiser (1980: 42 in Bartlett Musburger, 1984: 10)[3], docudrama is the dramatisation of actual events using actors and actresses as opposed to a pure(a) documentary, which uses real people and events. agree to this definition, docudrama is a crew of...If you want to get a full essay, order it on our website: Ordercustompaper.com

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