Intro To Humanities, Chapters 14-15

The rise of newfangledness was practically dramatic and confusing to those experiencing it . The breakneck speed of technology filled the roads with cars and the air with planes . The poke fun of culture was non missed by philosophers , artists , and , who each not just now felt the influence of modernity on their institute , scarcely influenced it through their work . With his theory of relativity , Albert mentality pit the tone for the rest of the century , proving that the long-held facts of flush accomplishment were exposed to the changes that modern times brought . The changes in knowledge influenced either vista of society . In politics futurism , fascism , and communism became dramatic as modernity s answer to the problems of society , though ofttimes lone(prenominal) resulting in revolution and nut hous e . The Great battle proved that technology had a terrible dark curve that created the most efficient killing machines in history . The recognise devastation from World War I made legion(predicate) artists and nous the very nature of existence . In lit sequencery productions stream-of-consciousness committal to writing arose in James Joyce and Virginia Woolf T .S . Eliot s The Wasteland was recited in the streets of capital of France by disillusioned members of the Lost Generation . Artists equal marcel Duchamps and his revolutionary ready-made art proved that not even art was free from the sweeping changes and relative chaos of modernity Painters like Matisse took painting in a new counsellor , as violent color clashes and visual disproportions of the cut expressionist painters in Paris caused a sensation comparable with(predicate) to the primitively impressionistic painters .

Many critics were taken aback by the expressionistic tendency to use distorted outlines , seemingly knock over disharmonious use of strong colors , and exaggerated forms to shoot in their deeply internal intentions . These dramatic qualities got the expressionists the label of fauves or cruelerness beasts by critics that saw their work as wild and hazardous (Fleming 594 . This rejection of modernist styles and judgmentls could well have been a reaction to the idea that the man continuously teetered on the brink of chaos and rules were often only illusions . To preserve , many regimes like the Nazis and Stalinist Russia would doodly-squat masturbate such(prenominal) subversive art and artists as threats and eliminate them whe re they could . until now , because of their endowment and the perseverance of the human spirit , the art of the modern era often outlived the tragic events and oppressive regimes that inspired themWorks CitedFleming , William . liberal arts Ideas . ordinal Ed . Orlando : Harcourt Brace Company , 1995Intro to Humanities , Chapter 14-15...If you exigency to get a full essay, order it on our website: OrderCustomPaper.com

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